Definitions Found:
The tactile quality of the surface of a work of art
- textureThe tactile quality of the surface of a work of art
- texturesThe tactile quality of the surface of a work of art
- frottagesThe technique or process of taking a rubbing from an uneven surface to form the basis of a work of art
- movementThe quality of suggesting motion in a work of art
- movementsThe quality of suggesting motion in a work of art
- provenancesA record of ownership of a work of art or an antique, used as a guide to authenticity or quality
- provenanceA record of ownership of a work of art or an antique, used as a guide to authenticity or quality
- disattributionthe act of adjudging a work of art, etc to be no longer the product of a particular artist etc.
- disattributionsDISATTRIBUTION, the act of adjudging a work of art, etc to be no longer the product of a particular artist etc.
- expressionThe conveying of feeling in the face or voice, in a work of art, or in the performance of a piece of music
- dadaismthe style and techniques of a group of artists, writers, etc., of the early 20th century who exploited accidental and incongruous effects in their work and who programmatically challenged established canons of art, thought, morality, etc.
- dadaismsthe style and techniques of a group of artists, writers, etc., of the early 20th century who exploited accidental and incongruous effects in their work and who programmatically challenged established canons of art, thought, morality, etc.
- dadaistthe style and techniques of a group of artists, writers, etc., of the early 20th century who exploited accidental and incongruous effects in their work and who programmatically challenged established canons of art, thought, morality, etc.
- dadasthe style and techniques of a group of artists, writers, etc., of the early 20th century who exploited accidental and incongruous effects in their work and who programmatically challenged established canons of art, thought, morality, etc.
- dadathe style and techniques of a group of artists, writers, etc., of the early 20th century who exploited accidental and incongruous effects in their work and who programmatically challenged established canons of art, thought, morality, etc.
- mannerismsA style of 16th-century Italian art preceding the Baroque, characterized by unusual effects of scale, lighting, and perspective, and the use of bright, often lurid colors. It is particularly associated with the work of Pontormo, Vasari,and the later Michelangelo
- mannerismA style of 16th-century Italian art preceding the Baroque, characterized by unusual effects of scale, lighting, and perspective, and the use of bright, often lurid colors. It is particularly associated with the work of Pontormo, Vasari,and the later Michelangelo
- perspectivesThe art of drawing solid objects on a two-dimensional surface so as to give the right impression of their height, width, depth, and position in relation to each other when viewed from a particular point
- hypsometrythe art of measuring the heights of places on the earth's surface
- hypsometriesHYPSOMETRY, the art of measuring the heights of places on the earth's surface
- substanceThe subject matter of a text, speech, or work of art, esp. as contrasted with the form or style in which it is presented
- substancesThe subject matter of a text, speech, or work of art, esp. as contrasted with the form or style in which it is presented