In the past in poetry
Crossword Clue

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AnswerCrossword Clue
ERENOWIn the past, in poetry
doed with the infinitive without to to form present and past tenses in legal and parliamentary language do hereby bequeath and in poetry give what she did crave Shakespeare
eisteddfodA competitive festival of music and poetry in Wales, in particular the annual National Eisteddfod
eisteddfodauA competitive festival of music and poetry in Wales, in particular the annual National Eisteddfod
eisteddfodsA competitive festival of music and poetry in Wales, in particular the annual National Eisteddfod
scazona metre in poetry in which the spondee or trochee replaces the final iambus; a choliamb
parallelismThe use of successive verbal constructions in poetry or prose that correspond in grammatical structure, sound, meter, meaning, etc
parallelismsThe use of successive verbal constructions in poetry or prose that correspond in grammatical structure, sound, meter, meaning, etc
concretismsThe theory or practice of concrete poetry, in which the visual arrangement of words in patterns or forms on the page takes precedence over the semantic or phonetic elements involved
concretismThe theory or practice of concrete poetry, in which the visual arrangement of words in patterns or forms on the page takes precedence over the semantic or phonetic elements involved
assonancesIn poetry, the repetition of the sound of a vowel or diphthong in nonrhyming stressed syllables near enough to each other for the echo to be discernible (e.g., penitence, reticence)
assonanceIn poetry, the repetition of the sound of a vowel or diphthong in nonrhyming stressed syllables near enough to each other for the echo to be discernible (e.g., penitence, reticence)
imagisttheory or practice of a group of poets in England and America between 1909 and 1917 who believed that poetry should employ the language of common speech, create new rhythms, have complete freedom in subject matter, and present a clear, concentrated, and p
imagismtheory or practice of a group of poets in England and America between 1909 and 1917 who believed that poetry should employ the language of common speech, create new rhythms, have complete freedom in subject matter, and present a clear, concentrated, and p